After a short break, I am back with the final leg of our journey through Limpopo, and we have left Mogalakwena en route to Louis Trichardt, making our way along the base of the magnificent Soutpansberg Mountains.
The Soutpansberg Mountains
The weather is warm and Petra and I are in high spirits after our highly eventful holiday. 8 km’s beyond Louis Trichardt, on the R55 to Vivo, we take a right turn and drive a short distance through thick, lush bush up to the Madi a Thava Mountain Lodge, nestled amongst trees in a sprawling natural garden. As I climb from the dusty vehicle, I am engulfed in a cool refreshing breeze that wafts down from the mountain. Savouring the quality of the air, I wander across to the edge of the car park and remember the sense of safety this place provides, embraced by the protective arms of the mountain. I have been here before, a long time ago, and it feels good to be back. I am eager to see all the developments and to check out their amazing collection of art. This lodge is the perfect place to round off our trip, for not only do I know that I will be creatively inspired here, I also know that it is going to be a wonderfully comfortable way to spend the final few days of my holiday.
The entrance to the lodge is as I remember it, open and inviting, with large Venda pots on the verandah giving just a hint of what is to come. I am filled with anticipation as I enter the building, and feel immediately at home in the bright and tastefully furnished interior, filled to capacity with beautiful examples of African arts and crafts…and I don’t mean curio art, but really good pottery, woodwork, embroidery and beading from the Limpopo region.
Madi a Thava
A sculpture that announces the presence of the Dancing Fish Gallery
We are greeted by our friend, Marcelle Bosch, who is the owner, manager and general overall superwoman who maintains and continually develops this little piece of Paradise.
Marcelle Bosch
Marcelle is a woman of vision, passionately committed to promoting local artists and providing an outlet through which they can sell their work, both at the lodge and through her very comprehensive website. She is actively involved in helping and motivating these artists, offering workshops and discussion groups through which they can inspire and motivate each other.
She is also extremely knowledgeable about the customs and traditions of the people who live in the area, specifically the Venda, Tsonga and Northern Sotho groups, and she offers excursions that take visitors into the rural areas to meet the local people, so that they can learn first hand about the rich cultural heritage of Limpopo.
A guest to the lodge, even an overnight visitor, cannot help but be affected by the richness of these cultures, for there is visual evidence of them everywhere, from the decor in the main lodge, to the sculptures that adorn the colourful, stylish bedrooms, to the informative Dancing Fish Gallery, which is situated across the lawn from the main lodge building.
Then, in a sunlit room attached to the lodge, Marcelle has gathered together a group of local women, who are beavering away happily on their sewing machines, producing colourful linen and other soft items, which are available to buy through her shop, but are also sold through outlets around the country, and beautifully displayed in all the lodge bedrooms.
The gorgeous bedrooms at Madi a Thava, adorned with colourful soft furnishings made by the Madi a Thava art group
These colourful cushions are an example of the work produced by the women at Madi a Thava
The food at the lodge is delicious and on this warm Sunday evening we sit out on the open verandah and enjoy a candle-lit dinner with entertainment provided by the chef, who after pounding on his drum, sings to us with his most amazing baritone voice! I am delighted and savour the moment as much as the meal that follows.
We use the next couple of days to go out and see the local artists in the area, all within easy driving distance from the lodge. I have written about these visits to Thomas Kubayi and the Northern Sotho dance group in my previous blog posts.
So on the final day, we are relaxing within the grounds of the lodge and I am spending time enjoying The Dancing Fish Gallery. This houses an impressive collection of Tsonga, Venda and Northern Sotho art and artifacts, beautifully curated by Petra Terblanche, with whom I have been traveling. Petra’s passionate interest in the local traditions and her long history as a museum curator are clearly obvious as one enters the cool interior of the building. She has carefully laid out the display so that it takes the visitor on a journey through the traditions of each cultural group, with fine examples of their art and craft.
Petra Terblanche, curator of the Dancing Fish Gallery
To view a sampling of work on show at the Dancing Fish Gallery, click on the images below:
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- A pregnant schoolgirl by Amoros Maswanganye
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- A Tsonga beaded basket, (xintenwana), made by the mother of artist, Johannes Maswanganye. This is the bottom of a set of baskets; the other is a flat winnowing basket and serves as a lid (not shown).
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- An example of a Northern Sotho womans’ front apron, .
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- Tsonga ‘nwana/child (doll). These used to be used during initiation school
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- A Northern Sotho lobedu (back apron), worn by the women
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- These sculptures were made by Johannes Maswanganye, a representation of the six groups that are depicted in the gallery: Hananwa, Boer (settlers), Tsonga, Baphalaborwa, Lobedu, and Venda. The Hananwa, Lobedu and Baphalaborwa form the Northern Sotho group.
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- Clay sculpture by Noria Mabasa, a Venda master potter
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- A collection of Venda drums
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- Tinunguwane – Tsonga medicine containers, used by traditional healers
The story unfolds through beautifully designed posters, produced by Petra’s friend, Harold Kolkman, a social anthropologist from Holland, with whom Petra has worked on numerous other projects.
A poster that explains the history and traditions of the Hananwa people
After a visit to this gallery, one becomes aware of just how fascinating the history of Limpopo Province is, with the arts and crafts from the area so colourful and multi layered. As it is my last day in the area, I find I am reluctant to leave this richly creative environment, trying to absorb as much as I can before I return to my studio. I stop before a quote by Nelson Mandela.
“The collision of culture does not necessarily lead to subjugation & hegemony. It may also lead to subtle cross-pollination of ideas, words, customs, art-forms, culinary & religious practices.
This dynamic interaction has always played a role in cultural enrichment which has resulted in an extraordinary fertile & unique South African culture which binds our nation in linguistic, cultural, culinary, & religious diversity in so many forms”. -Nelson Mandela
It strikes me that this place and the work that is being done here, is a perfect example of what Mandela was speaking about. There is a sense of good people helping other people in an atmosphere of unity and respect and to stay at the lodge is to experience a wonderful blend of cultures, all brought together in a very unique way.
Marcelle is constantly upgrading, renovating and developing the property, all the time keeping her eye on the bigger picture, which is to maintain high standards in ethical, community based tourism. This year, amongst many other things, she is embarking on a series of creative workshops, which will be held at the lodge and facilitated by well known South African artists. For participants this should be an absolute treat…to learn and be creative in a creative environment, whilst staying in the luxury of the lodge, spoiled by excellent service and surrounded by the peace and infinite beauty of the mountains.
The three days that we have spent here have left me rested, restored and inspired. It is the perfect end to a wonderful, enriching journey, and now it is time to go home to process all that I have seen and experienced.
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